Paths of Initiation

A Mentoring Retreat for Younger and Older Men

Mendocino, California ~ August 17-22, 2010

Mendocino Woodlands Camp, Mendocino, CA

Proceeds support Voices of Youth and Intercultural Projects.

For more information and registration visit the Mosaic website at: www.mosaicvoices.org or contact the Mosaic office at: 206-935-3665.

Paths of Initiation

A Mentoring Retreat for Younger and Older Men
August 17-22, 2010
Mendocino Woodlands Camp, Mendocino, CA

Proceeds support Voices of Youthand Intercultural Projects

Register Here

Through stories, poems and the compelling speech of the soul, through the suddenness of ideas and the surprise of ritual we will seek the spirit of practice and the life of the soul. The soul begins its initiatory path at birth, each birth initiating a particular life story. Awakening to one’s inner story and finding life-long initiatory paths comprises the “real work” and genuine opus of our lives. Although each soul is naturally gifted and secretly aimed, many aspects of modern culture lead us away from the very paths of knowledge that the soul would have us take. Inside, the dream of our life keeps trying to awaken us from the sleep of the daily world.

This retreat is about tuning in to the exact speech of the soul and to changes that the deep self would have us make in order to move further along the paths of healing and self-revelation.

Join us on this path of discovery as we approach the territory of initiation with a diverse and surprising faculty who will present ideas and elements of initiation from tribal traditions, spiritual practices, psychological perspectives, and a rich array of personal experiences.

For more information visit Mosaic at:www.mosaicvoices.org or contact the Mosaic office at: 206-935-3665.

Visit the Mosaic website, www.mosaicvoices.org, to view Michael Meade give a lively and engaging description of this upcoming Paths of Initiation retreat where he answers some of the most frequently asked questions.

Hector will return to India in December 2010 and participate in Jana Sanskriti’s Theater of the Oppressed Festival. More cities in India and events to be announced – stay tuned!

MUKTADHARA IV

The Forum Theatre Festival

By

Jana Sanskriti – Centre for Theatre of the Oppressed

BACKGROUND

The idea of Theatre of the Oppressed was born in South America in the early seventies from the work and practice of Brazilian theatre theoretician and director Augusto Boal. Jana Sanskriti was the first group to bring Theatre of the Oppressed and Forum Theatre to India.

In Forum Theatre members of the theatre team select, construct, and narrate a social problem from their daily life. With artistic direction this play is taken to an audience who must now find a solution to the problem. Passive spectators then become engaged spect-actors. Spect-actors come on stage to enact the solutions they have thought of, debating with trained activists about the feasibility of the solutions suggested.

Since 1991, Jana Sanskriti has removed itself far from conventional theatre and spread the practice of Forum Theatre to remote villages of the Sunderban in Bengal. With 20 theatre teams active in rural Bengal, Jana Sanskriti is today perhaps the state’s largest theatre group. Jana Sanskriti has also taken this theatre pedagogy beyond the boundaries of the state to different parts of the country – to Tripura, Orissa, Jharkhand, Delhi, Utranchal, Rajasthan, Madhya Pradesh, Maharashtra and Gujarat.

Jana Sanskriti believes that every individual is essentially intellectual. Not only great men thinks but also all men think, philosophy exists in the thought of so called illiterate human beings. But they are not aware of it all the time. The political culture never takes care of this intellectual faculty of the people. They are made blind followers. Jana Sanskriti on the other hand wants to develop rationality within the people.  Through out in last two decades this is where Jana Sanskriti has focused her artistic activities. They have always tried to make the qualities of human being visible which is normally invisible to the people.  Creating rational people is the main focus of Jana Sanskriti’s work. This is how they want to bring change in the society.

Jana Sanskriti believes the biggest form of violation of human rights is not to create democratic space for the people to think. They should not be seen as the implementers only they can contribute in the making of the policies. That is the reason Jana Sanskriti left propaganda theatre and started Theatre of the Oppressed devised by Augusto Boal. They are the first exponent of Boal here in India and the largest and long-lasting Theatre of the Oppressed movement in the world according to Augusto Boal.

Today Jana Sanskriti has created the Federation of Theatre of the Oppressed, India where a number of large activist movements are present. They have handed over theatrical means (means of making theatre) to the poorest of the poor, to the tribal communities, lower caste, to the rural people.

Jana Sanskriti is a work of art and the name of a space where total transformation is constructed. It is an organization founded in 1985 which practices Theatre of the Oppressed among the most disadvantaged sections of Indian society. From its inception in one remote village, Jana Sanskriti now has constructed theatre teams consisting of men and women agricultural labourers. These actors come together transcending divisive social and political affiliations to plan constructive action and provide dynamic leadership for social justice and community development. Their plays onstage and their political activism offstage feeds one another to mobilize around issues as wide-ranging as domestic violence to political violence, from reconstruction of public institutions to resistance against aggressive forms of development. Rather than use theatre to deliver development messages and services, Jana Sanskriti has used theatre to establish dialogue in society. They believe that dialogue allows for informed critical thinking and prevents a human being from following blindly – whether in pursuit of material things, an ideology, or a person. This form of dialogue is an aesthetic experience of life, an internal transformation which inspires action for external transformation. This is what we mean by total transformation.

WHY A FORUM THEATRE FESTIVAL

In our work on Forum Theatre we have dealt with a range of issues which are relevant to different groups in different regions – Displacement, malpractices in the public distribution system, communalism, exploitation by contractors, undemocratic culture of political parties, and corruption in the Panchayat, blind superstitions, domestic violence, insurgency and terrorism etc.

The important reason for holding this Festival is that it becomes a meeting ground for the Forum Theatre teams trained by Jana Sanskriti all over India. Each of these teams is active in their own regions; most of them are also heading organizations engaged in struggles to assert the rights of the marginalized. Though all these teams are linked to each other through their commitment to the Forum Theatre movement, they have had very little opportunity to interact with each other and see each other’s work. At this Festival we were able to provide this valuable opportunity. This interaction has, as seen from the last three festivals, no doubt, imbued each individual and team with the feeling that they are not alone in this challenging task of establishing dialogue in society.

Usually Forum Theatre is performed before audiences who are also facing the problem portrayed in the play. Since problem solving and understanding the problem sociologically through collective action is the primary intention so the spectators and actors form a homogenous group. But in this Festival like the previous three that we had we will again try to have all kinds of interest groups involved and interested in theatre of the oppressed in the audience, from all over the world!  And since Forum Theatre allows room for debate and discussion, the audience emerges from the experience with a more human outlook.

Finally, the name ‘Muktadhara’! ‘Mukta’ means free and ‘Dhara’ is a flowing steam. A flow that is free from dogma and all those structural constructs that prevent a dialogue between people, is what is implied by the term Muktadhara – celebrating movement in peace and togetherness! This is when the glory of development is said to have taken place – participation in togetherness.

Where

• The festival will be held at an open air venue in the centre of Kolkata.
• Workshops will be held either in a Mango Garden or by the side of a river.
• There will be one more workshop on Rainbow of Desire, we will place it in the festival schedule and will let you know.

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