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ImaginAction Newsletter November 2011

November 8, 2011 4:00 amtoNovember 8, 2012 4:00 am

Greetings ImaginActors!

I’m writing from the first floor of 11 Musgrave Park Court in Belfast, Northern Ireland. Tonight is my last night with Uri Noy-Meir, Allegra Fonda-Bonardi and Hector—tomorrow we disperse to a variety of projects around the world.

Belfast was the first stop on the last European tour of the year for Hector. From here, he travels to Vitoria in the Basque country to give master classes in T.O. techniques. Next stop is Bergen, Norway to give a series of workshops and performances with fellow ImaginAction teammate, Yael Harlap. From Bergen he’ll travel to Rome before heading back to the U.S.

Allegra will accompany Hector to Vitoria before returning to her work in China. She will be working with a local NGO there for another 6 months, bringing theatre techniques to students and educators. Uri is off to Leeds, and then Italy, where he plans to give a variety of T.O. workshops and work with hector in Rome.

After a wee interlude in Derry to assist with a conference at the Playhouse Theater, I travel to Palestine. For three months I will volunteer at The Freedom Theatre in Jenin, assisting Playback practitioner Ben Rivers as we work with youth there.

But before we scatter, we have much to celebrate. The past four weeks in Belfast have been a whirlwind as we introduced ImaginAction’s unique blend of theatre arts to youth in a variety of contexts. We brought stories and games to several groups in the Pathways program, an organization for youth who have been excluded or have disengaged from mainstream education. We also spent two nights a week at the 174 Trust, playing soccer and Complete the Image with a group of 8 to 14-year-old boys. From each of these groups, we edited footage of their improvisations and personal stories into a short film. The films are full of laughter, anecdotes and candid genius. “This is our way of saying we love you,” said Hector to the boys at 174 Trust after we watched the film together. Stay tuned for links to these videos as we complete them!

We’ll also celebrate Hector’s recent recognition as an Otto René Castillo Award winner. The Otto Award is named for the Guatemalan poet and revolutionary Otto Rene Castillo, who was murdered by that country’s military junta in 1968. Established in 1998, the Otto Awards have since honored such accomplished, dedicated and diverse artists and theatre companies as: El Teatro Campesino, The Living Theatre, Laurie Anderson, the Steppenwolf Theatre, Bread and Puppet Theatre, and the San Francisco Mime Troupe. We are so proud of Hector for this well deserved recognition!

On the other side of the world, Diane Lefer taught a guest class about torture and those who try to justify its use at  California State University at Fullerton in September. She’s also been invited to offer workshops and a Spanish-language performance in Bolivia with the organization Educar es fiesta, working with families in crisis and children without safe homes (including those who live in the street) in Cochabamba.

After all the celebration, however, ImaginAction still has ambitious goals in the works. We are still fundraising to bring Hector to The Freedom Theatre in Jenin, and after learning about the incredible opportunity for growth through theatre in China, we are dreaming of augmenting Allegra’s work there by bringing Hector to join her. Your support in these endeavors—financially or otherwise—is deeply appreciated. Stay tuned for a Kickstarter project, as well. Uri plans to compile footage and interviews to create a video toolkit of ImaginAction’s methodology. This ambitious project presents a fantastic opportunity to multiply the work and share it with other practitioners, and your support in the upcoming months will make it possible.

From the wet-green land of Ulster, I’m wishing you love and good fortune. All the best,

Christine

ImaginAction-in-Action new campaign

December 11, 2011toFebruary 11, 2012December 11, 2011toFebruary 11, 2012December 11, 2011toFebruary 11, 2012

ImaginAction-in-Action

 http://www.indiegogo.com/ImaginAction-in-Action?c=home&a=300546 (donations are tax deductable).

Our Story

The artists of ImaginAction know creativity is everyone’s birthright and that tapping into the wisdom we all carry can lead us to transformative action. With the leadership of our creative director Hector Aristizábal, our workshops have traveled the globe, using theatre to create rituals that allow individuals to recreate themselves while bringing healing to the community. In a world where many people suffer from a sense of disconnection, in our workshops people spontaneously form “sudden villages” of mutual caring and concern.  ImaginAction villages have sprung up in Nepal, India, Palestine, Afghanistan, Italy, Northern Ireland, the US, Spain, Holland and many more places. Much of this work has been captured on film, and with your support, we’re ready to transform that footage into a series of DVDs offering new tools for facilitators, educators, social workers, artists, activists, therapists and many others.

ImaginAction in Action will illustrate different aspects of our work: Theater of the Oppressed (including Image Theater, Forum Theater, Cop in the Head, Rainbow of Desire), psychodrama , traditional storytelling, puppet-making, drumming, improvisational drama, creative ritual and more. These techniques are designed to inspire emotional connection and the sharing of personal stories.  In this way, we use the arts as a laboratory to explore social issues, inspire creativity and playfulness, and facilitate community and individual healing.

The ImaginAction DVD project will also tell the story behind the creation of Hector Aristizábal’s solo performance, Nightwind, and the interactive audience engagement process he has developed to accompany it. Nightwind takes the audience on a journey through Hector’s life including the dark days and nights when he was detained and tortured. After the performance, Hector engages the audience in a short workshop that enables them to transform their emotional reaction to what they have just witnessed into embodied knowledge using drumming, dynamic meditation and Image Theater. Our DVD will introduce the technique and practice of facilitating transformative engagement not only with Nightwind, but with any work of art that arouses powerful emotions.

The Impact

The DVD series, ImaginAction in Action, will allow us to introduce artists, community workers, students and educators to powerful techniques for creative transformation. The DVD will make it easier to share and multiply this work with communities across the globe.

What We Need & What You Get

Producing ImaginAction in Action From the hundreds of hours of footage that we have will take a lot of editing time. Additionally, we anticipate incurring costs for production and distribution. Our goal, to raise $6,000 (US) in the next 60 days, will help us get the project off the ground. All backers will receive updates with video links on the development of ImaginAction in Action. Rewards will include copies of the new ImaginAction in Action DVD; ImaginAction in Rome bonus DVD; production credits on the DVDs; and more.

 

Other Ways You Can Help

Share, Share, Share! The more people know about this campaign, the more backers we will have. Spread the word in your community and social circles! Your support will help us reach our goal, and ultimately, help these valuable techniques reach the global community. 

Learn more about ImaginAction and the artistic team here: 

http://imaginaction.org/ You could see some short videos from recent projects in Northern Ireland: http://www.youtube.com/watch?v=oEAHr_CpcBw
http://www.youtube.com/watch?v=VlktoZBpMjU
http://www.youtube.com/watch?v=dTZPnk-ZEn8

Project manager and main video editor for this project is Uri Noy Meir http://imaginaction.org/about-us/uri-noy-meir

NIGHTWIND: LA VITA E’… IMMAGIN-AZIONE | Pensieri di cartapesta

December 12, 2011toDecember 12, 2012

PrevNext

Nightwind è una perla rara di teatro di denuncia. Non è solo uno spettacolo che parla di tortura in un modo assolutamente originale e delicatamente toccante: è anche un caso pressoché unico di rappresentazione, in cui il torturato stesso si pone al centro di un palco e condivide con il pubblico, trasmutandola in arte, la propria esperienza di vita e di salvazione.

Colombiano, a ventidue anni Hector Aristizábal viene torturato atrocemente per tre giorni e tre notti da funzionari governativi, sulla base di accuse infondate di terrorismo. E’ il 1982. Salvo per miracolo grazie all’intervento di una delegazione di Amnesty International, Hector si rifugia negli Stai Uniti, a Los Angeles. Nel 1990 una telefonata lo riporta dritto nell’incubo. Il fratello minore è stato anch’egli torturato e infine ucciso dai paramilitari. Grazie al teatro e a una consapevolezza sociale profonda, Hector riesce comunque a non cadere nella spirale dell’odio e nel delirio di vendetta, trovando invece nell’agire con gli altri e per gli altri una ragione di vita.

Temi scottanti come questi potrebbero facilmente condurre a uno spettacolo buio e intrinsecamente violento. Nightwind, invece, ha la qualità variegata e variopinta di un racconto fantastico. La tecnica narrativa è volutamente straniante. I diversi personaggi sono delineati con tratti ironici e caricaturali, come disegnati sul momento da un vignettista esperto, con rapidi tocchi di colore. Perfino il torturatore è visto con occhio quasi benevolo, nella sua patetica astrattezza di maschera cattiva. Pochi e semplici strumenti (un telo nero, due fasce di stoffa, un palloncino, una panca, un frammento di cellophane) si trasformano velocemente, nelle mani sicure di Hector, in una moltitudine di oggetti: un travestimento sempre diverso, una motocicletta, una benda sugli occhi, un fucile, uno strumento di tortura. Sembra di osservare un prestigiatore, mentre crea dal nulla la magia di infinite realtà. I suoni sono semplici vocalizzi oppure rumori ricavati coi materiali di scena.

Il racconto della storia ha il sapore di una confidenza condivisa, coraggiosa, di un dono sincero, aperto e allo stesso tempo prezioso. Grazie a una tecnica narrativa scoppiettante e a tratti surreale, Hector Aristizábal accarezza il pubblico, non lo ferisce, non lo proietta in un incubo cupo, non lo costringe a subire intimamente le stesse atrocità di cui egli stesso è stato vittima. Lo porta invece per mano a commuoversi profondamente, con empatia umana, nei due momenti più tragici della vicenda: la tortura sofferta e il riconoscimento del corpo massacrato del fratello minore. All’interno di chi ascolta e guarda, si leva così un nunca más! appassionato, che non è grido di rabbia, ma desiderio fraterno di proteggere da una violenza insensata chi, da solo, non è in grado di difendersi.

Dopo lo spettacolo, Hector Aristizábal coinvolge il pubblico in una meditazione dinamica, per liberare la follia vitale che nell’uomo alimenta la coscienza più profonda. Poi sollecita i partecipanti a creare con il proprio corpo, a gruppi, immagini delle sensazioni provate nei confronti della tortura: attraverso il corpo si raggiunge, infatti, una comprensione organica delle proprie emozioni e reazioni viscerali agli eventi. Hector invita tutti, quindi, a riflettere su come le immagini statiche siano intrinsecamente polisemiche, interpretabili da ognuno secondo infiniti punti di vista soggettivi. A ciascun gruppo, allora, è chiesto di dare suono e movimento alle figure create: i significati delle rappresentazioni corporee in tal modo si chiariscono, si arricchiscono di vita e di nuovi significati. Come d’incanto, un pubblico di sconosciuti si trasforma in una piccola comunità solidale, commossa e allegra. Con queste tecniche, ispirate al Teatro dell’Oppresso del brasiliano Augusto Boal, Hector Aristizábal conduce in tutto il mondo seminari dedicati alla trasformazione creativa dei conflitti. Creare società, comunicazione, fiducia, attraverso l’arte, è un modo universale di fare politica costruttiva, al di là di ogni schieramento. Per dare un volto umano al mondo, l’importante è agire, seguendo i propri più intimi desideri, con fantasia. Perché la vita è Immagin-Azione.

Per saperne di più su Hector Aristizábal, si può visitare il sito internet http://imaginaction.org.

 

NIGHTWIND

di e con Hector Aristizábal

con la partecipazione di Amnesty International

25 novembre 2011, presso il Centro Sociale Spartaco di Roma

Teatro del Oprimido en Madrid Marzo 16-17-18-23-24-25 2012

March 16, 2012toMarch 25, 2012March 16, 2012toMarch 25, 2012March 16, 2012toMarch 25, 2012

 

 DE LA VISIÓN A LA ACCIÓN

TEATRO DEL OPRIMIDO Y JUSTICIA SOCIAL

SOBRE LOS TALLERES DE IMAGINACTION:

“De La Visión a la Acción” es un taller experimental diseñado para aprender el uso de distintas metodologías: El Teatro del Oprimido, Council Circle, Play Back Theatre, Psicodrama y la creación de rituales.

Los principios básicos de nuestro trabajo están inspirados en el Teatro del Oprimido (TdO), creado por el visionario brasileño Augusto Boal. El TdO es una forma de educación que usa el teatro como herramienta para la transformación social. Su filosofía de base es la de re-humanizar a la Humanidad. Originalmente se desarrolló a partir de la labor de Boal con población campesina y trabajadora pero hoy es usada en todo el mundo en activismo social y político, terapia,  para la construcción de comunidad, y legislación gubernamental, entre otras aplicaciones.

Originalmente diseñado para no-actores, el TdO usa el lenguaje universal del teatro para que los participantes puedan investigar sus vidas, identificar sus sueños y reinventar su futuro. El TdO invita al pensamiento crítico y al diálogo. Se trata de analizar, más que de dar respuestas. También se trata de “actuar” (llevar la acción) más que de hablar.

En nuestro trabajo abrazamos también la idea de que la comunidad es un organismo viviente y nosotros usamos el lenguaje del teatro para ayudar a ese organismo a simbolizar y explorar sus propias historias. Una vez que la historia es actuada en el escenario, la comunidad viva participa interactuando en el Teatro Foro y buscando alternativas para transformar las situaciones de opresión y de conflicto.

SOBRE EL ENTRENAMIENTO:

El taller está diseñado para entrenar a los participantes en el uso de estas herramientas con jóvenes y adultos. Utilizaremos juegos, Teatro Imagen, Teatro Foro, Arco Iris del Deseo y Policías en la Cabeza para explorar las historias que interesen a los participantes.

  • Igualmente utilizaremos los principios del Council Circle para procesar el trabajo de cada día. 
  • Éstas técnicas altamente adaptables pueden ser usadas inmediatamente por profesores, trabajadores sociales, terapeutas, activistas, organizadores de comunidad, artistas, actores, etc…en sus propios contextos. Y también para cualquier persona interesada en explorarse a sí misma y a la sociedad donde vivimos. ¡No se requiere ninguna formación teatral previa!

 SOBRE LOS FACILITADORES:

Héctor Aristizábal nació y se crio en Medellín, Colombia y en 1989 tuvo que exilarse en Los Ángeles, California. Héctor se graduó como Psicólogo de la Universidad de Antioquia y luego como Terapeuta de Familias en Pacific Oaks College. Por años ha trabajado combinando su formación teatral con su práctica psicológica con diversas comunidades incluyendo: sobrevivientes de tortura, jóvenes pandilleros, personas afectadas por el VIH+ y el Sida, Hospicio, inmigrantes, y  personas encarceladas. En el año 2000 Héctor fundo ImaginAction y desde entonces viaja por el mundo ofreciendo talleres de formación y trabajando en áreas de conflicto como: Irlanda del Norte, India, Palestina, Colombia, Afganistán y muchos otros.

También es miembro del consejo central del “Proyecto de Paz de Colombia”, de la junta directiva del “Programa de Víctimas de la Tortura” y de “Pedagogía y Teatro del Oprimido”, un foro mundial para la justicia social basado en las ideas de Paulo Freire y Augusto Boal.

Es co-autor junto a Diane Lefer de su libro autobiografico “The Blessing next to the wound: a Story of Art, Activism and Transformation”

Alessia Cartoni es licenciada en Antropología Social y Cultural, formada en Historia del Arte,  titulada en Arte Dramático por el Estudio Juan Carlos Corazza, actriz con experiencia en teatro, cine y televisión.

Como educadora social ha realizado acompañamientos terapéuticos con individuos y  grupos de apoyo a adolescentes y niños en adopción y acogimiento a cargo del IMMF, Instituto Madrileño del Menor y la Familia.  Alessia utiliza la creatividad y la imaginación como herramientas sanadoras que ayudan a los niños a simbolizar su difícil situación.

Igualmente ha sido parte del equipo pedagógico del “Estudio Juan Carlos Corazza para la formación del Actor” impartiendo la especialidad de “Historia del Arte para actores”.  Ha ofrecido cursos de teatro para niños y jóvenes apoyada por diversas técnicas artísticas, el trabajo con el cuerpo y la voz, el masaje, el movimiento auténtico, la meditación, la danza y el yoga.

Con el tiempo, su formación como actriz y como antropóloga se unen y actualmente está involucrada en proyectos de Cooperación Internacional en los que trabaja como multiplicadora de Teatro del Oprimido. En Sudán ha trabajado los temas de la mutilación genital femenina y  el matrimonio forzado a través del Teatro Foro. En España desarrolla talleres de sensibilización sobre Sudán del Sur a través de técnicas de arte terapia.

Alessia  utiliza la creatividad y el teatro como  herramientas liberadoras universales apoyándose siempre en el mundo simbólico, arquetípico, plástico, corporal, visual y literario.

Ficha del Taller:

Dónde: LaNave, C/ Amor Hermoso 88, Metro: Almendrales y Usera

Cuándo: 16-17-18 y 23-14-15 de marzo 2012

Horario: Viernes de 17 a 21hs, sábados y domingos de 10 a 14hs y de 16 a 20hs. (total 40 horas)

Cuánto: 220€

Inscripciones e información:

Alessia Cartonià alessiacartoni@gmail.com /  667007263

Jordi Romeraà jordiromera@hotmail.com / 658679420

Workshop From Vision into Action/ Tools of ImaginAction. With Hector Aristizabal March 30’31 April 1, 2012 The Netherlands

March 29, 2012toApril 1, 2012March 29, 2012toApril 1, 2012

Workshop From Vision into Action/ Tools of ImaginAction. With Hector Aristizabal

FROM VISION INTO ACTION:
THEATRE OF THE OPPRESSED FOR SOCIAL JUSTICE WORK
With Hector Aristizabal.
March 30, 31 and April 1, 2012.

“Tools of ImaginAction” offers a laboratory to learn through experience the use of several techniques and philosophies: Theater of the Oppressed, Playback Theater, Psychodrama, Council Circle, traditional storytelling and others. The basic principles of our work are inspired by the techniques of Theater of the Oppressed (TO) that were created by Brazilian visionary, Augusto Boal. Theatre of the Oppressed is a form of popular community based education which uses theater as a tool for social transformation. It’s basic philosophy is to re-humanize humanity. Originally developed out of Boal’s work with peasant and worker populations, it is now used all over the world for social and political activism, conflict transcendence, community building, therapy, and government legislation among other applications. Designed for non-actors, it uses the universal language of theatre as a springboard for people and whole communities to investigate their lives, identify their dreams, and reinvent their future. T.O. invites critical thinking and dialogue. It is about analyzing rather than giving answers. It is also about “acting” (taking action) rather than just talking. With T.O., people can and often do discover empowering solutions to their own struggles. We use theater as a laboratory to explore alternatives to conflict while at the same time having a great time doing it!

ABOUT THE TRAINING:
The intensive workshop is designed to train participants to use these tools with both adults and youth. Focus will be on community building games, Image Theatre, Forum Theatre, some Rainbow of Desire and Cops in the Head techniques.
 Each day will include time to discuss the previous day’s work and the art of facilitation, as well as applications in the field. For this process we will use “council circle” principles.
These highly adaptable techniques can be immediately applied by teachers, social workers, psychotherapists, activists, community organizers, and theatre artists, etc. in their own contexts. Also for anyone interested in exploring themselves and the society in which we live. Absolutely no theatre background necessary!
The workshop explores how a community can envision a desired goal and concrete ways of achieving that goal. This addresses the key question of how to build a desired goal out of a conflict from the perspective of conflict transformation. The focus of the work is relationship-centered and not content-centered. The point is to explore a dialogue – the end is less important than the means. By its nature, theatre for social change does not work to de-escalate conflict, but rather recognizes the ecology of conflict as an ebb and flow. In addition, the workshop will include a component to address individuals’ personal transformations, which contribute to actualizing and sustaining a greater vision.

HECTOR ARISTIZABAL was born in Medellín, Colombia where he had a distinguished career as director, actor, playwright, and psychologist. He has lived in exile in the U.S. since 1989  where he serves on the board of the Program for Torture Victims and brings theatre skills to his psychotherapeutic work with those who, like himself, are survivors of torture. As a therapist, he has provided services to prisoners, AIDS patients and their families, emotionally disturbed youth, and low-income immigrant communities. He co-founded the Colombia Peace Project-LA, and Theatre of the Oppressed-Los Angeles and leads TO workshops, based on the ideas and techniques of Brazilian theatre artist and activist Augusto Boal and aimed at using theatre to encourage creative solutions to address injustice. He has performed on stage and screen and his most recent solo work has been featured in theatrical venues, festivals, and human rights conferences around the world. He is creative director of the nonprofit organization, ImaginAction, which trains others in the techniques he has developed, aimed at community healing, community building and reconciliation.
Hector Aristizabal, has received the Otto René Castillo Award for Political Theatre.  The Otto Awards were established in 1998 to recognize and support the ongoing development of political theatre internationally. The Awards Committee, made up of past recipients, recommend a slate of honorees each year, and Hector’s work was selected for recognition on May 20, 2012.

Friday, saturday and sunday from 10:00 till 17:00
Participation fee: 280,- Euro
Students: 250,-Euro

DeDansvloer
Balkstraat 31
3513XL Utrecht, The Netherlands.

More info: commediamartha@gmail.com
Mobiel: 0639505737

Internship and TO Festival in China June 4th to June 16′ 2012

June 4, 2012toJune 16, 2012
社区戏剧环保教育项目协调者
甘肃绿驼铃环境发展中心的合作伙伴
Environmental Community-Based Theatre Program Coordinator
Green Camel Bell Cooperating Partner
2011-2012 Compton Mentor Fellowship
电话： 18293127464

For the last few years ImaginAction has been developing an internship/mentoring program for people interested in the practice of Augusto Boal-inspired techniques and community-based theater.  We have offered this mentoring opportunity in Northern Ireland, Colombia, The Basque Country, among other places. We are processing applications for practitioners interested in coming with us to China and be part of the Lanzhou International Community-Based Theatre Environmental Education Festival.
This festival is being organized by Allegra Fonda-Bonardi who has been introducing community-based theatre techniques to main land China for the last 6 months and whom participated in ImaginAction’s internships in the past.   Look at the description below and contact us for more information.
 
Lanzhou International Community-Based Theatre Environmental Education Festival 
（兰州国际社区戏剧环保教育节日）
 
Time: June 4th–June 16th, 2012
Location: Lanzhou, China
Internship Description:
To be part of a cultural exchange festival between Chinese community-based theatre 
practitioners and foreign community-based theater practitioners 
focused on environmental education themes. 
Festival structure: 
Week 1: Masterclasses for local practitioners and guests by Imaginaction International
 and Hong Kong-based Center for Community Cultural Development, one of the oldest 
community-based theatre groups in Asia, specializing in Playforward theatre (an expansion 
on the principles of Playback theatre); creation of an original work in one week. 
June 10th-11th: Performances by guest artists groups and local community-based theatre groups (both 
pre-arranged works and the piece created in the Masterclasses during Week 1) 
Week 2: Local artists + guest artists team up to give workshops in three selected communities
in and around Lanzhou: HuiNing Village Ecological Cooperative; the Lanzhou 4th Minority Secondary School
high school students and educational community; the Lanzhou City Environmental Education Department
(communities subject to change) 

冯乐然
Allegra Fonda-Bonardi

Prevention of racism through Theater of the Oppressed Italy July 10-14 2012

July 10, 2012toJuly 14, 2012
GIOLLI

Società Cooperativa Sociale   

Centro permanente di ricerca e sperimentazione teatrale sui metodi Boal e Freire

Prevention of racism through Theater of the Oppressed

run by Hector Aristizabal and Roberto Mazzini, planned within the European Project
F.ra.t.t. (Fighting racism through theatre).

If you know bodies, persons, associations interested please inform them that they could apply their national Socrates agency (you find the list here: http://ec.europa.eu/education/lifelong-learning-programme/doc1208_en.htm ) and be financed completely, according to their specific rules.

You can find more information in English in the Grundtvig database as soon as the Socrates Agency will approve it:
http://ec.europa.eu/education/trainingdatabase/search.cfm

or now on our website:
http://www.giollicoop.it/index.php/it/cosa-facciamo/programmi-socrates/72-progetti-in-corso-e-futuri/357-training-in-service-course-july-2012

The place of the training is Casaltone, north Italy, close to Parma town.
The date is from 10th to 14th July 2012 more one day each for the travel arriving and leaving.
Deadline to apply to your National Socrates Agency is 16th January 2012.
What to do:
  • contact your national Socrates agency
  • Download their application form and fill up (just wait some days for our course will be approved and so you can get the code number).
  • Tell us you are interested to apply and we send to you a confirmation of pre-registration
  • Follow the specific rules of your Socrates Agency
  • By 16th January send the form filled up to your National Socrates agency and wait their answer
  • After their positive answer write to us and we’ll give you more instructions.
More information about Giolli by visiting our website: www.giollicoop.it .
Here you can choose a rough translation of each page by clicking on the top right of the page (there are several possible languages).

Thanks for your collaboration
all the best
Roberto Mazzini
by Giolli
Tortiano 27-12-2011

ESPANOL

Sujeto: taller sobre “La prevención del racismo a través del Teatro del Oprimido”


Querido/a

Aquí algunas informaciones sobre al taller que hemos organizado in Julio 2012 como educación dos adultos, sobre “La prevención del racismo a través del Teatro del Oprimido”
conducido par Hector Aristizabal y Roberto Mazzini, planteado dentro al Proyecto Europeo
F.ra.t.t. (Fighting racism through theatre).

Si usted conoce entidades publicas o privadas o individuos interesados, por favor los informe que ellos pueden hacer demanda a su Agencia Nacional Socrates (aquí la lista de las agencias: http://ec.europa.eu/education/lifelong-learning-programme/doc1208_en.htm )
 y pueden ser financiados completamente, siguiendo las reglas de la agencia.

Mas informaciones en el Database de Grundtvig (cuando la Agencia Italiana lo apruebarà):
http://ec.europa.eu/education/trainingdatabase/search.cfm

o pronto in nuestro website:
http://www.giollicoop.it/index.php/it/cosa-facciamo/programmi-socrates/72-progetti-in-corso-e-futuri/357-training-in-service-course-july-2012

El lugar del taller es Casaltone, Italia del norte, cerca de Parma.
La fecha es desde el 10 hasta el 14 de Julio 2012, mas un día para llegar y uno para partir.
La fecha antes de la que tiene que pedir la subvención a la agencia Socrates de su país es el 16 de Enero 2012.

Que hacer ahora?
  • contacte su Socrates Agencia
  • Descargue al modulo de subvención y lo completa (espere solo algunos días asíque la agencia italiana lo aprueba y nos dará el código de appruevacion)
  • Diga a Giolli su interés a participar y Giolli enviará a usted la confirmaccion de pre- inscripción
  • Sigue las reglas especificas de su Agencia Socrates
  • Antes el 16 de Enero envía el modulo completado a su Agencia Socrates y espere su respuesta
  • Después de su positiva respuesta contacte Giolli por mas de informaciones.
Si quiere saber mas sobre Giolli puede visitar nuestro website www.giollicoop.it
Aquí puede elegir una simple traducción de cada pagina cliccando arriba derecha (hay muchos idiomas a elegir).

Gracias por su colaboración

Roberto Mazzini

vice-presidente della coop sociale Giolli

Hector Aristizabal receives the Otto Award for Political Theater!

December 30, 20124:00 pm

Dear friends of ImaginAction, we are happy to share with you that our Artistic Director, Hector Aristizabal, has received the Otto René Castillo Award for Political Theatre.  The Otto Awards were established in 1998 to recognize and support the ongoing development of political theatre internationally. The Awards Committee, made up of past recipients, recommend a slate of honorees each year, and Hector’s work was selected for recognition on May 20, 2012.

Over the years such politically engaged theatre companies and artists as Laurie Anderson, Bread and Puppet Theater, Ed Bullins, Joseph Chaikin, Kathleen Chalfant, the Living Theatre, Charles Mee, Richard Schechner, Split Britches, Ellen Stewart, El Teatro Campesino, and Robert Wilson, among many others, have received Otto Awards in recognition of their cutting-edge and/or community-based work.
The Ottos are produced by the Castillo Theatre, one of the programs of the All Stars Project, a non-partisan, non-profit organization dedicated to promoting human development through the use of performance, on and off stage. In addition to Castillo’s 27-year history of producing cutting-edge, experimental, socially relevant theatre, the All Stars creates outside-of-school educational and performing arts activities for tens of thousands of poor and minority young people.
The awards ceremony will take place on Sunday, May 20, 2012 at the All Stars Project’s performance and education center, located on West 42nd Street in Manhattan.